Sit Dancing international

"Sit Dancing"

2008-09-03T18:59:00.000-07:00

Sit Dancing enables people of all ages and (dis-)abilities to enjoy dancing while sitting down. The dances are based on traditional folk dances from around the world that have been adapted and transformed to suit those unable to walk. It was first introduced in New Zealand in 1988 and still remains popular today with groups that embraced it then.

Sit Dancing is a physical activity that stimulates social interaction, fitness, muscle toning, coordination, orientation, memory, fun, self-expression and emotional release. The use of music from many cultures and traditions give this programme an evocative and international character.

Marcel Baaijens (MSc, M.A.A.E.) is a professional dance tutor, choreographer, artist, videographer and art facilitator. He was born in The Netherlands in 1956 where he studied architecture and International Folk Dancing. He completed successfully an International Folk Dance Teacher Training course, The L.V.B-certificate, in 1984. Later he studied art therapy and art education in Chicago. He has worked with children, people with disabilities, older people, mental health consumers, ethnic communities, ballet schools, polytechnic schools and The New Zealand School of Dance. For further information about the programme please contact Marcel Baaijens.

Contact details:

2008-09-03T06:54:00.000-07:00

For information, orders and bookings
please contact Marcel Baaijens:

email: marcel[dot]baaijens[at]gmail[dot]com
phone: 0800 278 769 x 753 (W) from within NZ only
+64-4-393.11334 (H)
021-125.9096 (M)

Marcel Baaijens
10 Glen Road
Raumati South
Paraparaumu 5032
New Zealand

Calender of Events:

2008-09-03T06:17:00.000-07:00

Calendar of Events:

Workshops:

2 workshops are being planned in May 2012 for Southland (NZ).

Conference Presentations:

Presentations include a demonstration engaging delegates, often a welcome break from listening to speakers
Flyers are available for inclusion in information packs

DVD and CD's

2008-09-03T05:37:00.000-07:00

A DVD/2CD resource kit with demonstration footage, written instructions and music for all 36 dances is available. It enables workshop participants to study, review and implement the programme successfully. It is essential that a trained enthusiast will facilitate the dance sessions instead of playing the DVD to the dancers. Attending an inspiring workshop with Marcel Baaijens is highly recommended. The Resource Kit is supplied to workshop participants but can also be purchased separately.

Prices:

Resource kit : $90 (as of August 2010)

GST N/A

How to obtain a set:

Attend a workshop (sets are available at workshops)
Order by email: marcel[dot]baaijens[at]gmail[dot]com

Workshops:

2008-09-01T23:59:00.000-07:00

Creator Marcel Baaijens facilitates one-day training workshops nation-wide for aged care professionals and volunteers. The training is experiential, educational and fun and runs from generally from10:00 a.m. till 3:30 p.m. The programme is easy to learn and implement.

The topics covered in the workshops are:

How to teach Sit dancing
Motivating dancers effectively
Assisting dancers appropriately
Resistance from dancers and staff
Techniques for improving effectiveness
Social, psychological and therapeutic aspects
Dance session logistics
And lots of dancing of course

A resource kit with a DVD and two CD’s containing footage, written instructions and music for all 36 dances is available. It enables workshop participants to study, review and implement the programme successfully. It is essential that a trained enthusiast will facilitate the dance sessions instead of playing the DVD to the dancers.

Prices as of 21 August 2009:

Resource kit: $90
Workshop fees: $100 per person

Workshop Schedule: none at the moment

Workshops are scheduled on request.

Fees (as of August 2010):

2008-09-01T04:46:00.000-07:00

DVD/2CD Resource kit: $90

Workshop fees: $100 per person, 10% early bird discount available.

Fees are excluding gst as I am not gst registered and thus gst is not charged.
Rates for in-house training on request.
Minimum participant numbers required depend on overheads for each workshop.

For orders and bookings email Marcel Baaijens:

marcel[dot]baaijens[at]gmail[dot]com

TV clip on Sit Dancing International

2008-08-12T19:15:00.000-07:00

Duration: 4 minutes
Filmed in 1989
The Holmes Show, TV New Zealand.

Motivation to Dance Again

2008-05-29T19:34:00.000-07:00

MOTIVATION TO DANCE AGAIN
by Marcel Baaijens

Why would you want to dance when you are old, low on energy, barely able to walk and knowing that dancing could cause discomfort, pain or even an accident? Why take the risk? Why bother, particularly when your caregivers are ‘bossing’ you around all day, every day, telling you, as with anything else: ‘It is good for you’?

If I were, say 80, lost my partner, independence and privacy, and I was institutionalised, I don’t think I could be bothered to dance if someone asked me to, no matter how much I would be called ‘dear’ or ‘love’. I would most likely refuse to participate just as a way to exercise my choice and create a sense of empowerment for myself at a time when I may be loosing more and more control over my own life. I associate dancing with celebrations or entertainment, and perhaps I don’t feel in a celebratory mood, nor do I want to entertain myself. I would watch a dance show, as it is always fun to see others making a fool of themselves, but me doing it, I don’t think so!!

Staff may regard me as a stubborn old man, contributing my attitude to my character and nature rather than my environment and circumstances. In that case I would be left to please my self, feeling justified in my attitude and left without any vision for a future for myself, or the community I live in. However with appropriate attitude and vision a facilitator/therapist can bring about change that will not only have an affect on the individual’s life but also on the community, including staff.

Developing an appropriate attitude and vision will require a caregiver to be honest and investigate their own attitudes, belief systems and vision. If dance is going to be introduced as an option for residents then one can expect not only resistance from the residents as illustrated above, but also among staff and even management, as attitudes and visions about dance and the elderly are most likely based on our cultural belief systems, which can be limiting.

In 1988 I was keen to (re)introduce dance to the elderly population living in retirement care settings in Wellington New Zealand. I had just moved there from The Netherlands where I trained as an ‘International Folk Dance Teacher’. I was familiar with a specially designed dance repertoire, used in The Netherlands for over-50’s based on ethnic folk dances. I called all rest homes (called hostels in Australia) I could find in the yellow pages and asked if they would like me to teach dance to their residents. Only one home was interested in a free demonstration session, and so I went with my ghetto blaster in my, then so fashionable 1980's, leg warmers.

The therapists had gathered a good crowd of people in the recreation room. All were full of anticipation. Most expected a dance show and got the surprise of their lives when they were asked to get up and join in they did (all well trained in obedience). By the time the session was over the entire room was filled with exhausted but happy faces. After the session a 95 year old woman came up to me and said “I have never seen so many people smile at the same time as today, and I have been here for 5 years”.

I was confused by the experience, counted my blessings that I didn’t dance any residents to a premature death but also upset about the patronising attitude of some staff towards the residents and the comments by the 95 year old that smiling en-mass was such a rare event.

As time went by, my fear of putting the residents at risk of ‘death by dancing’ faded and an urge to do something for the residents emerged. The rest home had called and asked me to come back. There were no easier dances that I knew of but I heard of the term ‘sit-dancing’, and began developing a repertoire of sit-dances.

International Sit and Step Dancing, as the programme was first called, is based on traditional folk dances from around the world that have been adapted and/or transformed to enable people of all ages and (dis-) abilities to enjoy dancing while sitting down and/or standing. The original folk dances which are the inspiration for the sit-dances are often danced in circles or lines. Anybody can join in without the need to have a partner, so nobody feels left out. There is no need to have a ‘perfect’ body, such as in ballet, and there are no age limits. In fact older villagers often dance with the young ones perhaps with less vigor, but with equal, if not more grace. It is the inner beauty and joy of dancing that is being expressed in folk dancing.

The music I use may be ‘foreign’ to many people's ears but it is bursting with pasion. Folk music resonates with people. It is hard to resist, as it stirs emotions which become an internal motivation to move, as little as the tapping of toes or clapping of hands. Being able to participate in a dance at a simple but appropriate level can provide people with much needed self-esteem. Folk dancing is a social activity, and promotes interaction. All these aspects of folk dancing are natural antidotes for the resistance of an 80 year old as described above.

Traditional folk dancing often relies on someone to lead a line or circle, someone with charisma and leadership skills, someone who perhaps shows off a bit at times, not afraid to try out something new, not afraid of making a fool of themselves. It is more likely that such a person will be regarded as a role model and as a result gets everybody following, be it as a dance star or as a novice. You can do it too and the Resource Kit is designed to support you in doing it well.